![]() ![]() Would come to incorporate non-traditional forms such as cabaret into their own artistic Modernism would be further developed by German artists over the following decades, who We shall now examine how this characteristic of Materials of their discipline, allowing them to explore new artistic avenues created byįusing seemingly disparate art forms. ![]() This allowed for their creativity to blossom in areas that transcended the Provided opportunities for collaborations between artists and writers, composers andĭirectors. Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 1850-1930. (Berkeley: University of California Press, 1991), 122. “The Artist as Social Critic in the Weimar Republic” in Germany in the Twenties: The Artist as Social Critic (Minneapolis: University of Minnesota Press, 1980), 29.ġ37 Huelsenbeck, Richard. Stanley Appelbaum (New York: Dover Publications, Inc., 1971), iv.ġ36 Simon, Sidney. “Forward” in Love Above All and Other Drawings, trans. Opportunities that arose with emerging art movements in the new century, and cabaretġ35 Grosz, Georg. 138 Artists such as Dix, Grosz and Schad were quick to seize upon the new With popular culture to create new styles and expressions, and widen their economicīase. Like their Parisian counterparts, German artists living in Berlin during the lateġ890s realized the value of fusing artistic talent with commercialized technologies, merging ![]()
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